The Mallet Ranch, from its founding to the present, has followed the arc of most Texas ranches. It has experienced booms and busts, and its owners have fretted over droughts and floods as well as fights in courtrooms. Despite hardships that may have outnumbered successes, the Mallet, headquartered in Hockley County, Texas, perseveres to this day. But More Than Running Cattle is more than just a ranch tale. It is the story of a family both unique and conventional among Texas stock raisers. David M. DeVitt, like many before him, was not "born" to be a Texas cattleman. DeVitt began his career as a reporter in Brooklyn, New York, before he decided to leave that path behind to try his luck on the wide-open ranges of West Texas. David DeVitt passed down his hardy, independent spirit to his two daughters. Although Christine and Helen were raised in Fort Worth, both from a young age learned the lesson that the West Texas land—and the Mallet Ranch—were part of their souls. When their father died, the two sisters fought to retain control of the Mallet for the family. The discovery in 1938 of oil on the ranch, and the subsequent drilling of more than a thousand oil wells over the next few decades, transformed the Mallet from a struggling enterprise into one of the most profitable such entities in the nation. From that financial windfall sprung from the land, Christine and Helen generously reinvested back into the region. The two non-profit organizations founded by the DeVitt sisters have distributed more than $200 million. The story of the Mallet Ranch told within these pages illuminates and delves into this remarkable story of a family, their operation, and the land that made it all possible.

While written sources on the history of Greece have been studied extensively, no systematic attempt has been made to examine photography as an important cultural and material process. This is surprising, given that Modern Greece and photography are almost peers: both are cultural products of the 1830s, and both actively converse with modernity. Camera Graeca: Photographs, Narratives, Materialities fills this lacuna. It is the first inter-disciplinary volume to examine critically and in a theorised manner the entanglement of Greece with photography. The book argues that photographs and the photographic process as a whole have been instrumental in the reproduction of national imagination, in the consolidation of the nation-building process, and in the generation and dissemination of state propaganda. At the same time, it is argued that the photographic field constitutes a site of memory and counter-memory, where various social actors intervene actively and stake their discursive, material, and practical claims. As such, the volume will be of relevance to scholars and photographers, worldwide. The book is divided into four, tightly integrated parts. The first, 'Imag(in)ing Greece', shows that the consolidation of Greek national identity constituted a material-cum-representational process, the projection of an imagery, although some photographic production sits uneasily within the national canon, and may even undermine it. The second part, 'Photographic narratives, alternative histories', demonstrates the narrative function of photographs in diary-keeping and in photobooks. It also examines the constitution of spectatorship through the combination of text and image, and the role of photography as a process of materializing counter-hegemonic discourses and practices. The third part, 'Photographic matter-realities', foregrounds the role of photography in materializing state propaganda, national memory, and war. The final part, 'Photographic ethnographiesa

If you or someone you know loves a cat, chances are they love taking pictures of their cat, too. But cats can be tricky little guys to photograph. They move quickly when you want them to stay still and are sedentary logs when you're going for an action shot. Add to that all of the variables of shooting indoors or outdoors, and it can be a difficult job. Enter How to Take Awesome Photos of Cats, where popular cat photographer and Instagrammer Andrew Marttila (Cats on Catnip, Shop Cats of New York) walks you through all the steps you need to know to take perfect photos of your favorite feline. This lighthearted, gifty guide will include dozens of photos and share practical tips for both amateur photographers and experts alike, all told in a fun, accessible, and lighthearted way.

Encompassing a wide range of subjects, the ten masterful essays gathered here may at first appear unrelated to one another. In truth, Giorgio Agamben's latest book is a mosaic of his most pressing concerns. Take a step backward after reading it from cover to cover, and a world of secret affinities between the chapters slowly comes into focus. Take another step back, and it becomes another indispensable piece of the finely nuanced philosophy that Agamben has been patiently constructing over four decades of sustained research. If nudity is unconcealment, or the absence of all veils, then Nudities is a series of apertures onto truth. A guiding thread of this collection-weaving together the prophet's work of redemption, the glorious bodies of the resurrected, the celebration of the Sabbath, and the specters that stroll the streets of Venice-is inoperativity, or the cessation of work. The term should not be understood as laziness or inertia, but rather as the paradigm of human action in the politics to come. Itself the result of inoperativity, Nudities shuttles between philosophy and poetry, philological erudition and unexpected digression, metaphysical treatise and critique of modern life. And whether the subject at hand is personal identity or the biometric apparatus, the slanderer or the land surveyor, Kafka or Kleist, every page bears the singular imprint of one of the most astute philosophers of our time.

Discover the pleasures of slow travel with this inspiring introduction to the beauty and possibility of the great outdoors.

Whatever your pace or purpose, the stories within will provide you with a fresh perspective on what it means to be “outdoorsy,” whether that means trekking from hut to hut in New Zealand, saddling up at a Patagonian ranch or simply taking a moment for mindfulness amid the pristine peaks of Bhutan. Featuring vibrant photography, practical guidance and thoughtful reflections on land stewardship, Kinfolk Wilderness brings together inspiring itineraries from five continents that promise adventure, inspire awe and spark a deeper connection to the landscape. You’ll find entry points into bucolic European idylls from Denmark to Romania, discover new hiking trails through the ancient hills of Iraqi Kurdistan and learn how to stargaze in the haunting dark-sky deserts of California.

Guided by the belief that travel is as much a state of mind as an action or itinerary, Kinfolk celebrates a way of exploring our world that not only fosters thoughtful perspectives on the places we visit but also deepens our relationship with home once the journey is over.

Photography explores the photograph in the twenty-first century and its importance as a media form. Stephen Bull considers our media-saturated society and the place of photography in everyday life, introducing the theories used to analyse photographs and exploring the impact of digital technology.

The text is split into short, accessible chapters on the broad themes central to the study and analysis of photography, and key issues are explained and applied to visual examples in each chapter.

Topics covered include:

• the identity of photography
• the meanings of photographs
• photography for sale
• snapshots
• the photograph as document
• photography as art
• photographs in fashion
• photography and celebrity.

Photography is an up-to-date, clear and comprehensive introduction to debates about photography now and is particularly useful to media, photography and visual culture students.

Set in rural Ireland, against the background of the on-course gambling operating at the many local race meetings held throughout the country, this book combines the photographs of Bruce Gilden with the story-telling of Dermot Healy. It seeks to create a portrait of this aspect of rural Irish life.

Most attempts to generalize about photography as a medium run up against our experience of the photographs themselves. We live with photos and cameras every day, and philosophies of the photographic image do little to shake our intimate sense of how we produce photographs and what they mean to us. In this book that is equal parts memoir and intellectual and cultural history, French writer Roger Grenier contemplates the ways that photography can change the course of a life, reflecting along the way on the history of photography and its practitioners. Unfolding in brief, charming vignettes, "A Box of Photographs" evokes Grenier's childhood in Pau, his war years, and his working life at the Gallimard publishing house in Paris. Throughout these personal stories, Grenier subtly weaves the story of a lifetime of practicing and thinking about photography and its heroes--Henri Cartier-Bresson, Weegee, Alfred Eisenstaedt, George Brassai, Inge Morath, and others. Adding their own insights about photography to the narrative are a striking range of writers, thinkers, and artists, from Lewis Carroll, Albert Camus, and Arthur Schopenhauer to Susan Sontag, Edgar Degas, and Eugene Delacroix. Even cameras themselves come to life and take on personalities: an Agfa accompanies Grenier on grueling military duty in Algeria, a Voigtlander almost gets him killed by German soldiers during the liberation of Paris, and an ill-fated Olympus drowns in a boating accident. Throughout, Grenier draws us into the private life of photographs, seeking the secrets they hold for him and for us. A valedictory salute to a lost world of darkrooms, proofs, and the gummed paper corners of old photo albums, " A Box of Photographs" is a warm look at the most honest of life's mirrors.

"The charming photo book is an educational and charming treat for giftees young and old." -Katie O'Reilly, Sierra Club How long does it take for a frog to develop four legs? And when does a canary first open its eyes? In this charming and original photo book, Dutch photographer Marlonneke Willemsen uses studio style images to transform zoological facts into a highly poetic document of becoming and growing on our planet. Starting with dogs, cats, and guinea pigs and moving right through to reptiles and fish, Willemsen photographs different animals during the very first weeks of their lives, capturing the wonder and fragility of new life and celebrating the diversity of the natural world. Text in English, German and Dutch.

After five hundred years of colonial suppression and a brutal civil war, the Maya in Guatemala finally have a chance to live in peace. Latin America's longest civil war ended on December 29, 1996, with a peace accord between the conservative government of President Arzu and the Marxist guerrilla group URNG. Now the Maya are searching the killing fields for their dead, rediscovering their own magnificent culture and history, and are finally free to practice their ancient religion at remote altars on mountaintops, in caves and ravines, or near waterfalls, and to begin to heal their souls. Magnum photographer Thomas Hoepker has visited Guatemala six times since 1991. He has captured many aspects of this remarkable period of transition in an array of astonishing, full-color shots that will disturb, enchant, and ultimately instruct.

*** 'An epic and fascinating book.' The Bookseller 'Emma Lewis' sprawling new book shines a light on overlooked feminist histories' - AnOther Magazine How did the abolitionist movement interact with women's entry into the field of photography? What does the medium have to do with menstrual taboos? Is there even such a thing as a 'feminist image'? Whether working in the studio or on the front line, women have contributed to every aspect of photography's short history. For some, gender is front and centre; for others, it's merely incidental. All have been affected by the power structures beyond their camera lenses. Far too many have been, and continue to be, overlooked. Mapping photographic developments against shifting gender rights and roles, Photography - A Feminist History shines a light on how photography has borne witness to women's movements and made the causes for which they fight visible, and how, in turn, different approaches to feminism have given us ways of understanding photographs. Authoritative and international in scope, Photography - A Feminist History features over 140 photographers, with ten thematic essays, and extended profiles on 75 key practitioners, many informed by conversations with the author.

Gives an ethnographic account of the complexities of the use of photography in Africa, both historically and in contemporary practice. This collection of studies in African photography examines, through a series of empirically rich historical and ethnographic cases, the variety of ways in which photographs are produced, circulated, and engaged across a range of social contexts. In so doing, it elucidates the distinctive characteristics of African photographic practices and cultures, vis-a-vis those of other forms of 'vernacular photography' worldwide. In addition, these studies develop areflexive turn, examining the history of academic engagement with these African photographic cultures, and reflecting on the distinctive qualities of the ethnographic method as a means for studying such phenomena. The volumecritically engages current debates in African photography and visual anthropology. First, it extends our understanding of the variety of ways in which both colonial and post-colonial states in Africa have used photography as a means for establishing, and projecting, their authority. Second, it moves discussion of African photography away from an exclusive focus on the role of the 'the studio' and looks at the circulations through which the studios' products - the photographs themselves - later pass as artefacts of material culture. Last, it makes an important contribution to our understanding of the relationship between photography and ethnographic research methods, as these have been employed in Africa. Richard Vokes is Senior Lecturer in Anthropology at the University of Canterbury, New Zealand, and author of Ghosts of Kanungu

Few things say Yosemite National Park like Yosemite Falls. This entry in the Yosemite Icon series celebrates the booming harbinger of spring that has long delighted outdoor adventurers, nature lovers, and waterfall buffs alike. Plunging more than 2400 feet to the floor of Yosemite Valley, Yosemite Falls is an accessible wonder, popular with hikers, international visitors, and fans of its famous splash zone. With three cascades that feature in millions of photographs, Yosemite Falls is a must-do pilgrimage for anyone who considers themselves a waterfall connoisseur. The sixth tallest waterfall on earth, renowned for its "moonbows," and loaded with both smooth paths and challenging hikes-what's not to love? And while its booming voice can be heard across the Valley during peak flow, Yosemite Falls changes with the seasons, giving it an air of mystery that keeps visitors coming back. Each slim yet elegant title in the Yosemite Icon series gathers stunning photos and insider information to tell the story of one of the park's celebrated landscape elements. Replete with natural and human history, these books are equally enjoyable both at home and on trails: Pop them in your backpack as on-the-go guides or peruse them from your couch to remember your favorite features between visits. Featuring: All about the falls, or Where does the water go? Connecting with your favorite waterfall The best spots for capturing the view Taking care while you're there Fascinating facts and insider tips

Set in the sexual jungle of the New York singles scene, this book follows four real life characters. Equipped with ample provisions of self-delusion, misogyny, anti-semitism and homophobia, Brenda, Michael, Aimee and Mikey frantically pursue their impossible dreams.

In Mastering Bird Photography: The Art, Craft, and Technique of Photographing Birds and Their Behavior, acclaimed bird photographer and author Marie Read shares techniques and stories behind her compelling images, offering fresh insights into making successful bird photographs, whether you're out in the field or in the comfort of your own backyard. In this richly illustrated book, you'll learn how to be in the right place at the right time and how to obtain tack sharp portraits. Marie then teaches you to take your skills to the next level in order to capture action shots, illustrate birds in their habitats, and portray birds in evocative and artistic ways. Building on basic technical topics such as camera choice, lens choice, and camera settings, Marie reveals how fieldcraft, compositional decisions, and knowledge of bird behavior contribute greatly to a successful bird photograph. Captions for the over 400 images contained in the book provide details on the equipment used, as well as camera settings. Throughout the book, bird behavior insights provide bird photographers of all skill levels a wealth of essential insider information that will help you produce images that stand out from the crowd. Topics include: Equipment and accessories Focus, exposure, and light Composition and creativity Bird photography ethics Capturing bird behavior Storytelling images Action and in-flight shots Backyard photo studio Weather, water, and mood Top bird photo sites in North America Basic image editing And much more! Foreword by Tim Gallagher, Editor-in-Chief Emeritus, Living Bird magazine.

Stroud is a compact cultural soup of stories waiting to be told. Rupert's photographs take you under the skin of the people in this unique town, at times part of the picture-perfect Cotswolds it occupies and at times set very apart.

The Way We Wed: A History of Wedding Fashion presents styles and stories from the Renaissance to the present day, chronicling evolving fashions as well as changing customs, lifestyles, and values. And because all wedding attire has a tale to tell, The Way We Wed also reveals fascinating personal stories of those who wore it. While the book is a visually and thematically rich source of bridal inspiration for all seasons, it's far from a monotonous parade of white gowns. The long white wedding dress is a relatively recent innovation popularized by Queen Victoria; it has traditionally been reserved for the upper classes, and abandoned in times of war, economic hardship, or mourning. The Way We Wed showcases wedding gowns of all colors and styles from around the world, as well as going-away dresses, accessories (shoes, veils, hats, fans, and tiaras), and clothes worn by flower girls, bridesmaids, mothers of the bride, and grooms. Same-sex weddings are represented, and the book features celebrity brides (Angelina Jolie, Frida Kahlo, Elizabeth Taylor, Princess Diana, Martha Washington, Solange Knowles, Ellen DeGeneres, Meghan Markle) as well as everyday anonymous couples. Illustrated with 100 gorgeous photos, The Way We Wed is a rich celebration of the art of wedding fashion across time and cultures, and those whose style and circumstances made a statement.

From July 1943 to the Nazis' final defeat in May 1945 the Panther main battle tank and its variants were the mainstay of Germany's armoured forces. This superbly engineered fighting vehicle offered a lethal combination of firepower, mobility and protection. As this classic Images of War series title reveals, the Panther saw non-stop fighting on the Eastern, Western and Italian fronts. Using rare and often unpublished contemporary photographs with full captions and authoritative text, it provides a comprehensive coverage of elite Panther battalions in action. The book traces the development of the Panther, for example into tank hunter (Panzerjager), and also covers the other supporting vehicles that formed part of the Panther battalions' establishment. These included armoured recovery, Bergepanther, halftracks, Sd.kfz.2 Kettenrad, gun tractors and communications vehicles.

This winter, Aperture magazine presents "Reference," an issue that considers the role images play in the creation of something else. Spanning fashion design, architecture, film, and print, "Reference" includes a conversation between renowned British author and curator Ekow Eshun and rising fashion designer Grace Wales Bonner; an interview with South African artist William Kentridge on the images that undergird his sprawling output; critic Mimi Zeiger on the work of Los Angeles-based architectural studio Johnston Marklee; an essay by Jesse Dorris on the potential of handmade zines; and David Campany on the function and purpose of photographs today. Further, works by James Welling, Jojo Gronostay, Deborah Turbeville, Sheida Soleimani, Katrien de Blauwer, and Stephanie Syjuco highlight each artist's unique use of source material. The Photobook Review for this issue opens with a sweeping interview with Ramon Reverte-the editor in chief and creative director at Editorial RM-and includes reviews of recent photobooks by Vince Aletti, Phyllis Christopher, Moe Suzuki, Nancy Holt, Richard Misrach, and N.V. Parekh.

In To Be Nsala's Daughter, Cherie N. Rivers shows how colonial systems of normalized violence condition the way we see and, through collaboration with contemporary Congolese artists, imagines ways we might learn to see differently. Rivers focuses on a photograph of a Congolese man, Nsala, looking at the disembodied hand and foot of his daughter, which were removed as punishment for his failure to deliver the requisite amount of rubber in King Leopold's Congo. This photograph, taken by British missionary Alice Seeley Harris, featured prominently in abolitionist campaigns to end colonial atrocities in Central Africa in the early twentieth century. But in addition to exposing the visible violence of colonialism, Rivers argues, this photograph also exposes the invisible-and continued-violence of the colonial gaze. With a poetic, personal collage of stories and images, To Be Nsala's Daughter traces the past and present of the colonial gaze both in Congo and in the author's lived experience as a mixed-race Black woman in the United States.

Over the past twenty-five years, photography has moved to centre-stage in the study of visual culture and has established itself in numerous disciplines. This trend has brought with it a diversification in approaches to the study of the photographic image.

Photography: Theoretical Snapshots offers exciting perspectives on photography theory today from some of the world s leading critics and theorists. It introduces new means of looking at photographs, with topics including:

• a community-based understanding of Spencer Tunick s controversial installations
• the tactile and auditory dimensions of photographic viewing
• snapshot photography
• the use of photography in human rights discourse.

Photography: Theoretical Snapshots also addresses the question of photography history, revisiting the work of some of the most influential theorists such as Roland Barthes, Walter Benjamin, and the October group, re-evaluating the neglected genre of the carte-de-visite photograph, and addressing photography s wider role within the ideologies of modernity. The collection opens with an introduction by the editors, analyzing the trajectory of photography studies and theory over the past three decades and the ways in which the discipline has been constituted.

Ranging from the most personal to the most dehumanized uses of photography, from the nineteenth century to the present day, from Latin America to Northern Europe, Photography: Theoretical Snapshots will be of value to all those interested in photography, visual culture, and cultural history.