In this updated and extended edition of The Greek Sense of Theatre,
scholar and practitioner J.Michael Walton revises and expands his
visual approach to the theatre of classical Athens. From the
tragedies of Aeschylus, Sophocles and Euripides to the old and new
comedies of Aristophanes and Menander, he argues that while Greek
drama is seen now as a performance-based rather than a strictly
literary medium, more attention should still be paid to the nature
of stage image and masked acting as part of this conception.
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