In our current global networked culture that puts so much emphasis
on the virtual and the visual, the mind and the body have become
detached and ultimately disconnected. Though physical appearance is
idolised for its sexual appeal and its social identity, the role of
the body in developing a full understanding of the physical world
and the human condition has become neglected. The potential of the
human body as a knowing entity - with all our senses as well as our
entire bodily functions being structured to produce and maintain
silent knowledge together - fails to be recognised.
It is only through the unity of mind and body that craftsmanship
and artistic work can be fully realised. Even those endeavours that
are generally regarded as solely intellectual, such as writing and
thinking, depend on this union of mental and manual skills.
In "The Thinking Hand," Juhani Pallasmaa reveals the miraculous
potential of the human hand. He shows how the pencil in the hand of
the artist or architect becomes the bridge between the imagining
mind and the emerging image. The book surveys the multiple essences
of the hand, its biological evolution and its role in the shaping
of culture, highlighting how the hand-tool union and eye-hand-mind
fusion are essential for dexterity and how ultimately the body and
the senses play a crucial role in memory and creative work.
Pallasmaa here continues the exploration begun in his classic work
"The Eyes of the Skin" by further investigating the interplay of
emotion and imagination, intelligence and making, theory and life,
once again redefining the task of art and architecture through
well-grounded human truths.
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