In Treme, Jaimey Fisher analyzes how the HBO television series
Treme treads new ground by engaging with historical events and
their traumatic aftermaths, in particular, with Hurricane Katrina
in 2005 and subsequent flooding in New Orleans. Instead of building
up to a devastating occurrence, David Simon's much anticipated
follow-up to The Wire (2002-8) unfolds with characters coping in
the wake of catastrophe, in a mode of what Fisher explores as a
prevailing mode of ""afterness."" Treme charts these changes while
also memorializing the number of New Orleans cultures that were
immediately endangered. David Simon's and Eric Overmyer's Treme
(2010-13) attempts something unprecedented for a multi-season
series. Although the show follows, in some ways, in the celebrated
footsteps of The Wire-for example, in its elegiac tracking of the
historical struggles of an American city-Fisher investigates how
Treme varies from The Wire's work with genre and what replaces it:
The Wire is a careful, even baroque variation on the police drama,
while Treme dispenses with genre altogether. This poses
considerable challenges for popular television, which Simon and
Overmyer address in several ways, including offering a carefully
montaged map of New Orleans and foregrounding the distance
witnessing of watershed events there. Another way in which Treme
sets itself apart is its memorialization of the city's inestimable
contributions to American music, especially to jazz, soul, rhythm
and blues, rap, rock, and funk. Treme gives such music and its many
makers unprecedented attention, both in terms of screen time for
music and narrative exposition around musicians. A key element of
the volume is its look at the show's themes of race, crime, and
civil rights as well as the corporate versus community recovery and
remaking of the city. Treme's synthesizing melange of the arts in
their specific geographical context, coupled with political and
socio-economic analysis of the city, highlights the show's unique
approach. Fans of the works of Simon and Overmyer, as well as
television studies students and scholars, will enjoy this keen-eyed
approach to a beloved show.
General
Imprint: |
Wayne State University Press
|
Country of origin: |
United States |
Series: |
TV Milestones Series |
Release date: |
November 2019 |
Authors: |
Jaimey Fisher
|
Dimensions: |
178 x 127 x 9mm (L x W x T) |
Format: |
Paperback
|
Pages: |
160 |
ISBN-13: |
978-0-8143-4151-3 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Television
Promotions
|
LSN: |
0-8143-4151-9 |
Barcode: |
9780814341513 |
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