Since Marcel Duchamp created his "readymades" a century
ago--most famously christening a urinal as a fountain-- the
practice of incorporating commodity objects into art has become
ever more pervasive. "Uncommon Goods" traces one particularly
important aspect of that progression: the shift in artistic concern
toward the hidden ethical dimensions of global commerce. Jaimey
Hamilton Faris discusses the work of, among many others, Ai Weiwei,
Cory Arcangel, Thomas Hirschhorn, and Santiago Sierra, reading
their artistic explorations as overlapping with debates about how
common goods hold us and our world in common. The use of readymade
now registers concerns about international migrant labor,
outsourced manufacturing, access to natural resources, intellectual
copyright, and the commoditization of virtual space.
In each chapter, Hamilton Faris introduces artists who exemplify
the focus of readymade aesthetics on aspects of global commodity
culture, including consumption, marketing, bureaucracy, labor, and
community. She explores how materially intensive, "uncommon"
aesthetic situations can offer moments to meditate on the kinds of
objects, experiences, and values we ostensibly share in the age of
globalization. The resulting volume will be an important
contribution to scholarship on readymade art as well as to the
study of materiality, embodiment, and globalization.
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