Written by a team of veteran scholars and exciting emerging
talents, The SAGE Handbook of Film Studies maps the field
internationally, drawing out regional differences in the way that
systematic intellectual reflection on cinema and film has been
translated into an academic discipline. It examines the
conversations between Film Studies and its contributory disciplines
that not only defined a new field of discourse but also modified
existing scholarly traditions. It reflects on the field's dominant
paradigms and debates and evaluates their continuing salience.
Finally, it looks forward optimistically to the future of the
medium of film, the institution of cinema and the discipline of
Film Studies at a time when the very existence of film and cinema
are being called into question by new technological, industrial and
aesthetic developments.
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