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Tearing Down the Lost Cause - The Removal of New Orleans's Confederate Statues (Hardcover)
Loot Price: R523
Discovery Miles 5 230
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(18%)
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Tearing Down the Lost Cause - The Removal of New Orleans's Confederate Statues (Hardcover)
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List price R636
Loot Price R523
Discovery Miles 5 230
You Save R113 (18%)
Expected to ship within 10 - 15 working days
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In Tearing Down the Lost Cause: The Removal of New Orleans's
Confederate Statues James Gill and Howard Hunter examine New
Orleans's complicated relationship with the history of the
Confederacy pre- and post-Civil War. The authors open and close
their manuscript with the dramatic removal of the city's
Confederate statues. On the eve of the Civil War, New Orleans was
far more cosmopolitan than Southern, with its sizable population of
immigrants, Northern-born businessmen, and white and Black Creoles.
Ambivalent about secession and war, the city bore divided loyalties
between the Confederacy and the Union. However, by 1880 New Orleans
rivaled Richmond as a bastion of the Lost Cause. After Appomattox,
a significant number of Confederate veterans moved into the city
giving elites the backing to form a Confederate civic culture.
While it's fair to say that the three Confederate monuments and the
white supremacist Liberty Monument all came out of this dangerous
nostalgia, the authors argue that each monument embodies its own
story and mirrors the city and the times. The Lee monument
expressed the bereavement of veterans and a desire to reconcile
with the North, though strictly on their own terms. The Davis
monument articulated the will of the Ladies Confederate Memorial
Association to solidify the Lost Cause and Southern patriotism. The
Beauregard Monument honored a local hero, but also symbolized the
waning of French New Orleans and rising Americanization. The
Liberty Monument, throughout its history, represented white
supremacy and the cruel hypocrisy of celebrating a past that never
existed. While the book is a narrative of the rise and fall of the
four monuments, it is also about a city engaging history. Gill and
Hunter contextualize these statues rather than polarize,
interviewing people who are on both sides including citizens,
academics, public intellectuals, and former mayor Mitch Landrieu.
Using the statues as a lens, the authors construct a compelling
narrative that provides a larger cultural history of the city.
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