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Crossing Bar Lines - The Politics and Practices of Black Musical Space (Paperback) Loot Price: R1,148
Discovery Miles 11 480
Crossing Bar Lines - The Politics and Practices of Black Musical Space (Paperback): James Gordon Williams

Crossing Bar Lines - The Politics and Practices of Black Musical Space (Paperback)

James Gordon Williams; Foreword by Robin D.G. Kelley

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Loot Price R1,148 Discovery Miles 11 480 | Repayment Terms: R108 pm x 12*

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In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.

General

Imprint: University Press Of Mississippi
Country of origin: United States
Release date: March 2021
Authors: James Gordon Williams
Foreword by: Robin D.G. Kelley
Dimensions: 229 x 152mm (L x W)
Format: Paperback
Pages: 204
ISBN-13: 978-1-4968-3211-5
Categories: Books > Arts & Architecture > Music > Composers & musicians
Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Contemporary popular music > Jazz
Books > Social sciences > Sociology, social studies > Ethnic studies > Black studies
Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop > Soul & Gospel
Books > Music > Composers & musicians
Books > Music > Contemporary popular music > Jazz
Books > Music > Contemporary popular music > Rock & pop > Soul & Gospel
Books > Music > Theory of music & musicology > General
Promotions
LSN: 1-4968-3211-6
Barcode: 9781496832115

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