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Moving Pictures, Still Lives - Film, New Media, and the Late Twentieth Century (Paperback)
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Moving Pictures, Still Lives - Film, New Media, and the Late Twentieth Century (Paperback)
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Moving Pictures, Still Lives revisits the cinematic and
intellectual atmosphere of the late twentieth century. Against the
backdrop of the historical fever of the 1980s and 1990sthe rise of
the heritage industry, a global museum-building boom, and a
cinematic fascination with costume dramas and literary
adaptationsit explores the work of artists and philosophers who
complicated the usual association between tradition and the past or
modernity and the future. Author James Tweedie retraces the
archaeomodern turn in films and theory that framed the past as a
repository of abandoned but potentially transformative experiments.
He examines late twentieth-century filmmakers who were inspired by
old media, especially painting, and often viewed those art forms as
portals to the modern past. In detailed discussions of Alain
Cavalier, Terence Davies, Jean-Luc Godard, Peter Greenaway, Derek
Jarman, Agnes Varda, and other key directors, the book concentrates
on films that fill the screen with a succession of tableaux
vivants, still lifes, illuminated manuscripts, and landscapes. It
also considers three key figuresWalter Benjamin, Gilles Deleuze,
and Serge Daneywho grappled with the late twentieth centurys
characteristic concerns, including history, memory, and
belatedness. It reframes their theoretical work on film as a
mourning play for past revolutions and a means of reviving the
possibilities of the modern age (and its paradigmatic medium,
cinema) during periods of political and cultural retrenchment.
Looking at cinema and the century in the rear-view mirror, the book
highlights the unrealized potential visible in the history of film,
as well as the cinematic phantoms that remain in the digital age.
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