This book maps Christopher Isherwood's intellectual and aesthetic
reflections from the late 1930s through the late 1970s. Drawing on
the queer theory of Eve Sedgwick and the ethical theory of Michel
Foucault, Carr illuminates Isherwood's post-war development of a
queer ethos through his focus on the aesthetic, social, and
historical politics of the 1930s in his novels Prater Violet
(1945), The World in the Evening (1954), and Down There on a Visit
(1962), and in his memoir, Christopher and His Kind: 1929 1939
(1976)."
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