Books > Social sciences > Psychology > Philosophy & theory of psychology > Psychoanalysis & psychoanalytical theory
|
Buy Now
Freudian Passions - Psychoanalysis, Form and Literature (Paperback)
Loot Price: R1,076
Discovery Miles 10 760
|
|
Freudian Passions - Psychoanalysis, Form and Literature (Paperback)
Expected to ship within 12 - 17 working days
|
Unconscious sexuality is made up of passions that can only travel
and move if there is form attached. And these first forms come
initially from another. What gives living form to the child's first
affectual ties is the maternal response. A return and mimesis of
the baby's passions which is the same but different: passions with
maternal form added. Time and rhythm is arguably the initial form
which enters into unconscious passionate life, and without
necessary rhythm or time our unconscious experience is too
immediate: the trauma that results when repetition can't yield to
time and difference.In re-reading the lost book of affects in
Freud's work, this study utilizes various contemporary thinkers on
psychoanalysis, affect and literary form to argue for
psychoanalysis as a theory and practice of the living forms that
can carry our passions. Psychoanalysis is like Literature in that
it is a living form that exists between people; producing the
readings, travels, translations and re-inventions of our sexual and
romantic passions. As lived form, psychoanalysis is a genre that
moves constantly between our past, present and future, enabling
repetitions of sameness and difference. When we are depressed or
stuck within dead genres, dead passions or dead mothers, then the
issue of lived form becomes something that psychoanalysis as a
clinical practice becomes concerned with. Literature is another
cultural means through which we can bring our passions back into a
world of lived form and therefore being. The first half of this
book explores central tenets of Freudian thinking in relation to
the passage of affects. Chapters on the role of rhythm, hysteria,
sexuality, telepathy, phobias and the styles of the body ego in
Freud's thinking are explored further, in the second half of the
book, in terms of readings of such classic literary texts as "Sense
and Sensibility, Daniel Deronda" and "To The Lighthouse." And yet,
this is not just a book on Freud and literature. It is a book on
how psychoanalysis and literature are both lived forms of
sexuality. Mrs. Ramsay in "To The Lighthouse" is the "straight as
an arrow passion" who lacks a dress sense that can only be
elaborated by styles of the ego. How are these styles of the ego,
also rhythms that carry our affects? This is a central issue, not
just for literature but for the practice and theory of
psychoanalysis. Literature is the clinical case history that
exemplifies the living forms and passions of psychoanalysis, and
vice versa.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.