With her short skirt, bobbed hair, and penchant for smoking,
drinking, dancing, and jazz, the "Modern Girl" was a fixture of
1920s Canadian consumer culture. She appeared in art, film,
fashion, and advertising, as well as on the streets of towns from
coast to coast. In The Modern Girl, Jane Nicholas argues that this
feminine image was central to the creation of what it meant to be
modern and female in Canada.
Using a wide range of visual and textual evidence, Nicholas
illuminates both the frequent public debates about female
appearance and the realities of feminine self-presentation. She
argues that women played an active and thoughtful role in their
embrace of modern consumer culture, even when it was at the risk of
serious social, economic, and cultural penalties. The first book to
fully examine the "Modern Girl"'s place in Canadian culture, The
Modern Girl will be essential reading for all those interested in
the history of gender, sexuality, and the body in the modern
world.
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