Shakespeare's Stage Traffic - Imitation, Borrowing and Competition in Renaissance Theatre (Hardcover, New)

Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he moulded and converted them to his own use. The book challenges the critical stance that views the Shakespeare canon as essentially self-contained, moves beyond the limitations of generic studies and argues for a more conjoined critical study of early modern plays. Each chapter focuses on specific plays and examines the networks of influence, exchange and competition which characterised stage traffic between playwrights, including Marlowe, Jonson and Fletcher. Overall, the book addresses multiple perspectives relating to authorship and text, performance and reception.

General

Imprint:	Cambridge UniversityPress
Country of origin:	United Kingdom
Release date:	2014
First published:	2014
Authors:	Janet Clare
Dimensions:	229 x 150 x 23mm (L x W x T)
Format:	Hardcover
Pages:	318
Edition:	New
ISBN-13:	978-1-107-04003-8
Categories:	Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism Promotions
LSN:	1-107-04003-5
Barcode:	9781107040038

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