aThe Ground of Image offers more recent and more focused
reflections on the nature of representation and art, especially
painting.a
-- "Bookforum"
If anything marks the image, it is a deep ambivalence. Denounced
as superficial, illusory, and groundless, images are at the same
time attributed with exorbitant power and assigned a privileged
relation to truth. Mistrusted by philosophy, forbidden and embraced
by religions, manipulated as aspectaclea and proliferated in the
media, images never cease to present their multiple aspects, their
paradoxes, their flat but receding spaces.
What is this power that lies in the depths and recesses of an
image--which is always only an impenetrable surface? What secrets
are concealed in the ground or in the figures of an image--which
never does anything but show just exactly what it is and nothing
else? How does the immanence of images open onto their unimaginable
others, their imageless origin?
In this collection of writings on images and visual art,
Jean-Luc Nancyexplores such questions through an extraordinary
range of references. From Renaissance painting and landscape to
photography and video, from the image of Roman death masks to the
language of silent film, from Cleopatra to Kant and Heidegger,
Nancy pursues a reflection on visuality that goes far beyond the
many disciplines with which it intersects. He offers insights into
the religious, cultural, political, art historical, and
philosophical aspects of the visual relation, treating such vexed
problems as the connection between image and violence, the sacred
status of images, and, in a profound and important essay, the
forbidden representation of the Shoah. In the background of
allthese investigations lies a preoccupation with finitude, the
unsettling forces envisaged by the images that confront us, the
limits that bind us to them, the death that stares back at us from
their frozen traits and distant intimacies.
In these vibrant and complex essays, a central figure in
European philosophy continues to work through some of the most
important questions of our time.
General
Imprint: |
Fordham University Press
|
Country of origin: |
United States |
Series: |
Perspectives in Continental Philosophy |
Release date: |
December 2005 |
First published: |
December 2005 |
Authors: |
Jean-Luc Nancy
|
Translators: |
Jeff Fort
|
Dimensions: |
228 x 152 x 15mm (L x W x T) |
Format: |
Paperback
|
Pages: |
158 |
Edition: |
Annotated Ed |
ISBN-13: |
978-0-8232-2541-5 |
Categories: |
Books >
Arts & Architecture >
The arts: general issues >
Theory of art
Promotions
|
LSN: |
0-8232-2541-0 |
Barcode: |
9780823225415 |
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