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Scare Tactics - Supernatural Fiction by American Women, With a new Preface (Paperback)
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Scare Tactics - Supernatural Fiction by American Women, With a new Preface (Paperback)
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Scare Tactics identifies an important but overlooked tradition of
supernatural writing by American women. Jeffrey Weinstock analyzes
this tradition as an essentially feminist attempt to imagine
alternatives to a world of limited possibilities. In the process,
he recovers the lives and works of authors who were important
during their lifetimes and in the development of the American
literary tradition, but who are not recognized today for their
contributions. Between the end of the Civil War and roughly 1930,
hundreds of uncanny tales were published by women in the periodical
press and in books. These include stories by familiar figures such
as Edith Wharton, Harriet Beecher Stowe, and Charlotte Perkins
Gilman, as well as by authors almost wholly unknown to
twenty-first-century readers, such as Josephine Dodge Bacon, Alice
Brown, Emma Frances Dawson, and Harriet Prescott Spofford. Focusing
on this tradition of female writing offers a corrective to the
prevailing belief within American literary scholarship that the
uncanny tale, exemplified by the literary productions of Irving,
Poe, and Hawthorne, was displaced after the Civil War by literary
realism. Beyond the simple existence of an unacknowledged tradition
of uncanny literature by women, Scare Tactics makes a strong case
that this body of literature should be read as a specifically
feminist literary tradition. Especially intriguing, Weinstock
demonstrates, is that women authors repeatedly used Gothic
conventions to express discontentment with circumscribed roles for
women creating types of political intervention connected to the
broader sphere of women's rights activism. Paying attention to
these overlooked authors helps us better understand not only the
literary marketplace of their time, but also more familiar American
Gothicists from Edgar Allan Poe to Shirley Jackson to Stephen King.
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