The term "film noir" still conjures images of a uniquely
American malaise: hard-boiled detectives, fatal women, and the
shadowy hells of urban life. But from its beginnings, film noir has
been an international phenomenon, and its stylistic icons have
migrated across the complex geo-political terrain of world cinema.
This book traces film noir 's emergent connection to European
cinema, its movement within a cosmopolitan culture of literary and
cinematic translation, and its postwar consolidation in the US,
Europe, Asia, the Middle East, and Latin America.
The authors examine how film noir crosses national boundaries,
speaks to diverse international audiences, and dramatizes local
crimes and the crises of local spaces in the face of global
phenomena like world-wide depression, war, political occupation,
economic and cultural modernization, decolonization, and migration.
This fresh study of film noir and global culture also discusses
film noir 's heterogeneous style and revises important scholarly
debates about this perpetually alluring genre.
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