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Elastizitaet - The Poetics of Space, Movement and Character in Frank Wedekind's Theater (Hardcover, New edition)
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Elastizitaet - The Poetics of Space, Movement and Character in Frank Wedekind's Theater (Hardcover, New edition)
Series: Studies on Themes and Motifs in Literature, 29
Expected to ship within 12 - 17 working days
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Frequenting circuses in Paris and Berlin, Frank Wedekind, best
known for Spring Awakening and the Lulu plays, learned that trapeze
artists and tightrope walkers rely on different artificial
reference points in space, in order to maintain their balance and
orient themselves and to create their own sensorial and phenomenal
worlds. This lesson in radical perspectivism and constructivism is
a key to Wedekind's practice as a playwright, and it links the
Munich dramatist's work to the thought of Schopenhauer, who first
used the term Elastizitat in a philosophical sense; Darwin, who
considered adaptability to be a primordial characteristic of life;
Nietzsche, whose commentary on acrobats in Also sprach Zarathustra
announces the Overman; and Freud, who used the term to describe the
reactive, conservative nature of the instincts. Taking Elastizitat
and the modern notion of adaptability as its point of departure,
this book explores Wedekind's construction of space, movement and
character in his plays, pantomimes, ballets and theoretical
writings as a means of understanding both the structural
consistencies and the ideological incongruities that permeate his
fiction and nearly all layers of his works. This work also
disengages Wedekind from traditional discussions of the dramatist
as controversial social critic and reintroduces him into more
productive discussions of his connection to nineteenth-century
philosophical debates surrounding determinism, dualism and
perception, on the one hand, and modern notions of risk, danger and
precarity on the other.
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