Samuel Beckett: A Casebook may be characterized as a new collection
of essays by a generation of Beckett scholars who did not have
access to the author. This text demarcates the line between the
critical work produced when Beckett was alive, and the critical
work produced within ten years of the author's death. This
collection is distinctive, too, because the text offers a variety
of critical perspectives which engage and problematize Beckett's
dramatic canon. From Deleuzean rhizomatics to New Historicism to
the crucial question of gender-each reading re-positions Beckett's
plays and forces us to rethink our standard interpretations of
Beckett's drama.
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