Awarded third place for The Adam Gillon Book Award in Conrad
Studies 2009 The book presents a sustained critique of the
interlinked (and contradictory) views that the fiction of Joseph
Conrad is largely innocent of any interest in or concern with
sexuality and the erotic, and that when Conrad does attempt to
depict sexual desire or erotic excitement then this results in bad
writing. Jeremy Hawthorn argues for a revision of the view that
Conrad lacks understanding of and interest in sexuality. He argues
that the comprehensiveness of Conrad's vision does not exclude a
concern with the sexual and the erotic, and that this concern is
not with the sexual and the erotic as separate spheres of human
life, but as elements dialectically related to those matters public
and political that have always been recognized as central to
Conrad's fictional achievement. The book will open Conrad's fiction
to readings enriched by the insights of critics and theorists
associated with Gender Studies and Post-colonialism.
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