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Art at the Limits of Perception - The Aesthetic Theory of Wolfgang Welsch (Paperback)
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Art at the Limits of Perception - The Aesthetic Theory of Wolfgang Welsch (Paperback)
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Total price: R1,865
Discovery Miles: 18 650
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This book traces the significance that the modulations of sensory
perception have had for thinking about aesthetics and art in the
last two and a half centuries. Beyond a discussion of the
philosophical significance of beauty, or of the puzzle of aesthetic
representation, aesthetics is conceived broadly as a means of
describing our relationship to the world in terms of the habits of
perception, and indeed the overturning of these habits, as in the
modernist aesthetic of defamiliarisation. In the light of the ideas
of the contemporary German aesthetic theorist, Wolfgang Welsch,
this book offers the first discussion of the theory and practice of
art that operates at the poles of perception: sensory experience
that exceeds conceptual organisation, and the imperceptible, or
what Welsch calls the 'anaesthetic'. These seemingly opposite poles
have many parallels: a comparable indeterminancy of meaning and a
similar challenge to representation, but also a shared focus on the
habits and modulations of sensory perception and a similar
interrogation of the boundary between art and that which surrounds
it. The author applies the categories discussed to art practice, in
particular to the theatre of Peter Handke, Samuel Beckett and
Heiner Muller.
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