The German-American relationship was special long before the
Cold War; it was rooted not simply in political actions, but also
long-term traditions of cultural exchange that date back to the
nineteenth century. Between 1850 and 1910, the United States was a
rising star in the international arena, and several European
nations sought to strengthen their ties to the republic by
championing their own cultures in America. While France capitalized
on its art and Britain on its social ties and literature, Germany
promoted its particular breed of classical music.Delving into a
treasure trove of archives that document cross-cultural
interactions between America and Germany, Jessica Gienow-Hecht
retraces these efforts to export culture as an instrument of
nongovernmental diplomacy, paying particular attention to the role
of conductors, and uncovers the remarkable history of the musician
as a cultural symbol of German cosmopolitanism. Considered sexually
attractive and emotionally expressive, German players and
conductors acted as an army of informal ambassadors for their home
country, and Gienow-Hecht argues that their popularity in the
United States paved the way for an emotional elective affinity that
survived broken treaties and several wars and continues to the
present.
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