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The Fluid Text - A Theory of Revision and Editing for Book and Screen (Paperback)
Loot Price: R855
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The Fluid Text - A Theory of Revision and Editing for Book and Screen (Paperback)
Series: Editorial Theory & Literary Criticism
Expected to ship within 12 - 19 working days
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Theorists, scholars, and critics usually consider literary works to
be fixed objects, assuming that any variations in the text of a
work should be stabilized, reduced, eliminated. John Bryant urges
that these variations create valuable records of the interactions
between the artist and society. Preprint revisions, revised
editions, adaptations for film, and expurgations for children are
among the many forms of flux that shape literary works and position
them relative to their audiences. Fully understanding the life of a
literary work in its cultural situation requires recognizing the
fluidity of text, and the present work makes the first coherent
theoretical, critical, and editorial approach to the study of
revision.
The author develops his theory and its critical application drawing
upon the example of Melville's "Typee," using its various versions
to present protocols for fluid text analysis. He shows how the
mountain of scholarly material comprising the fluid text can be
presented by a partnership of book and computer screen, in ways
that offer new opportunities, insights, and pleasures for scholars
and readers.
"The Fluid Text: A Theory of Revision and Editing for Book and
Screen" is written in a clear and accessible style and will appeal
to scholars and students in editorial theory, literary criticism
and analysis, and anyone concerned with the information
architecture of complex literary works in digital media.
John Bryant is Professor of English, Hofstra University. His most
recent book is an edition of "Melville's Tales, Poems, and Other
Writings,"
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