These critically diverse and innovative essays are aimed at
restoring the social context of ancient Greek drama. Theatrical
productions, which included music and dancing, were civic events in
honor of the god Dionysos and were attended by a politically
stratified community, whose delegates handled all details from the
seating arrangements to the qualifications of choral competitors.
The growing complexity of these performances may have provoked the
Athenian saying "nothing to do with Dionysos" implying that theater
had lost its exclusive focus on its patron. This collection
considers how individual plays and groups of dramas pertained to
the concerns of the body politic and how these issues were
presented in the convention of the stage and as centerpieces of
civic ceremonies. The contributors, in addition to the editors,
include Simon Goldhill, Jeffrey Henderson, David Konstan, Franois
Lissarrague, Oddone Longo, Nicole Loraux, Josiah Ober, Ruth Padel,
James Redfield, Niall W. Slater, Barry Strauss, and Jesper
Svenbro.
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