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The Look of Van Dyck - The Self-Portrait with a Sunflower and the Vision of the Painter (Hardcover, New Ed)
Loot Price: R4,181
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The Look of Van Dyck - The Self-Portrait with a Sunflower and the Vision of the Painter (Hardcover, New Ed)
Series: Histories of Vision
Expected to ship within 12 - 17 working days
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Based on a close study of Van Dyck's Self-portrait with a
Sunflower, this book examines the picture's context in the symbolic
discourses of the period and in the artist's oeuvre. The portrait
is interpreted as a programmatic statement, made in the ambience of
the Caroline court after Van Dyck's appointment as 'Principal
Painter', of his view of the art of painting. This statement,
formulated in appropriately visual terms, characterizes painting as
a way of looking and seeing, a mode of vision. In making such a
claim, the artist steps aside from the familiar debate about
whether painting was a manual or an intellectual discipline, and
moves beyond any idea of it as simply a means of representing the
external world: the painter's definitive faculty of vision can
reach further than those realities which present themselves to the
eye. John Peacock analyses the motif of looking - the ways in which
figures regard or disregard each other - throughout Van Dyck's
work, and the images of the sunflower and the gold chain in this
particular portrait, to reveal what is essentially an idealist
conception of pictorial art. He contradicts previous opinions that
the artist was pedestrian in his thinking, by showing him to be
familiar with a range of ideas current in contemporary Europe about
painting and the role of the painter.
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