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Ego-Alter Ego - Double and/as Other in the Age of German Poetic Realism (Paperback)
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Ego-Alter Ego - Double and/as Other in the Age of German Poetic Realism (Paperback)
Series: University of North Carolina Studies in Germanic Languages and Literature
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German Poetic Realists drew on the Romantic motif of the Double in
a manner consistent with the central dictum of Poetic Realism as
articulated by its chief theorists, Julian Schmidt and Otto Ludwig.
Schmidt and Ludwig argued that contemporary authors should, above
all, strive for psychological and aesthetic totality in their
narrative representations, turning away from the Romantic fantastic
but also avoiding the fragmentary approach to the portrayal of
everyday life that Ludwig found in early Naturalism. The 'poetic'
presentation of reality adheres to quotidian life but strives to
show it in all its many dimensions. While Romantic Doppelganger are
often preternatural figures, the Poetic Realists configure egos and
their narrative Others ('alter egos,' who are also sometimes
physical Doubles) to portray characters in their psychological
comprehensiveness. After offering an overview of the Romantic
Double motif and its connections to the theory of Poetic Realism,
John Pizer analyzes the work of Annette von Droste-Hulshoff, Otto
Ludwig, Conrad Ferdinand Meyer, Gottfried Keller, Theodor Storm,
and Wilhelm Raabe.
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