In this ambitious theoretical encounter with five imaginary artists
from the 1980s, John Roberts produces a set of richly constructed
artistic thought experiments. But in creating the work on the page
these thought experiments are not thereby novelistic fictions. On
the contrary, the fictiveness of each artist's work and biography
is formed from Roberts's critical engagement with the historical
and theoretical determinates of the work he has created - artwork
and its theoretical engagement forming an interdependent whole.
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