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The Nature of Gothic (Paperback, 2nd Revised edition)
Loot Price: R333
Discovery Miles 3 330
You Save: R107
(24%)
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The Nature of Gothic (Paperback, 2nd Revised edition)
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List price R440
Loot Price R333
Discovery Miles 3 330
You Save R107 (24%)
Expected to ship within 12 - 17 working days
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'One of the very few necessary and inevitable utterances of the
century.' William Morris, in the Preface. The Nature of Gothic
started life as a chapter in Ruskin's masterwork, The Stones of
Venice. Ruskin came to lament the 'Frankenstein monsters' of
Victorian buildings with added Gothic which 'The Stones' inspired;
but despite his misgivings the original moral purpose of his
writing had not fallen on stony ground. The Nature of Gothic, the
last chapter of the second volume, had marked his progression from
art critic to social critic; in it he found the true seam of his
thought, and it was quickly recognised for the revolutionary
writing it was. As Morris himself put it, The Nature of Gothic
'pointed out a new road on which the world should travel'; and in
its indictment of meaningless modern labour and its celebration of
medieval architecture it could be called the foundation stone of
Morris's aesthetic and purpose in life. 40 years after he first
read it, Morris chose Ruskin's text for one of the first books to
be published at his Kelmscott Press, using his own Golden type. It
is one of the summits of his career, and one of the most beautiful
books ever published. Few books can so completely sum up an era.
The Kelmscott Nature of Gothic encapsulates the meeting of two
remarkable minds and embodies their influence in word, image and
design. But more than that, Ruskin's words are increasingly
relevant for our times. In this facsimile edition, the first ever
made of this rare book, the reader can fully appreciate their
importance and their legacy, as understood by one of the most
potent visual imaginations to have worked in Britain. In this
enlarged edition, essays by leading scholars, Robert Hewison (who
was one of Ruskin's successors as Slade Professor of Fine Art at
Oxford University), Tony Pinkney (Senior Lecturer at Lancaster
University) and Robert Brownell (lecturer, stained glass maker and
author of Marriage of Inconvenience) explain the importance of this
book for Ruskin, for Morris and for us today.
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