|
|
Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > Arts & crafts design
Swedish Modern is a playful exploration of the philosophy and
heritage of the legendary Swedish interior design and furniture
company, Svenskt Tenn. The company was founded in 1924 by the
pioneering design entrepreneur Estrid Ericson and joined ten years
later by Austrian designer and architect Josef Frank. Together they
created eclectic, elegant and boldly patterned interior design
style known as Swedish Modern that has made Svenskt Tenn
world-renowned. This colouring book is your invitation to explore
their world of magical interiors.
-- Stunning watercolour paintings by one of Sweden's best-loved
artists -- Fascinating insight into Swedish rural and artistic life
in the late nineteenth century -- Accompanied by an explanatory
text giving more detail about his life and techniques Carl Larsson
is one of Sweden's best-loved artists. His stunning watercolours of
his home and family from the end of the nineteenth century are
acclaimed as one of the richest records of life at that time. The
paintings in this book are a combined collection which depict
Larsson's family -- his wife Karin and their eight children -- his
home in the village of Sundborn, and his farm, Spadarvet. The
accompanying text provides a fascinating insight into Larsson
family and farm life, and his painting techniques. Today, over
60,000 tourists a year visit Sundborn to admire Larsson's home and
work. Also published as three separate volumes: A Home, A Family,
and A Farm.
Arts & Crafts: Masterpieces of Art is a celebration of the
design movement that spread rapidly around the world at the end of
the nineteenth century. Depicting both well-known and unusual
artworks, textile patterns and decorations from this most
fascinating of eras, this book provides a wealth of information
about the lives and times of the designers, architects and artists
who created them, from Voysey and Morris to Lindsay Butterfield.
This book constitutes the first comprehensive history of the
network of women who worked at the heart of the English Arts and
Crafts movement from the 1870s to the 1930s. Challenging the
long-standing assumption that the Arts and Crafts simply revolved
around celebrated male designers like William Morris, it instead
offers a new social and cultural account of the movement, which
simultaneously reveals the breadth of the imprint of women art
workers upon the making of modern society. Thomas provides
unprecedented insight into how women navigated authoritative roles
as 'art workers' by asserting expertise across a range of
interconnected cultures: from the artistic to the professional,
intellectual, entrepreneurial and domestic. Through examination of
newly discovered institutional archives and private papers, Thomas
elucidates the critical importance of the spaces around which women
conceptualised alternative creative and professional lifestyles. --
.
15 beautiful embroidery projects from the era of Jane Austen. Jane
Austen was as skilful with a needle as she was with a pen. This
unique book from Jennie Batchelor and Alison Larkin showcases
recently discovered 18th century embroidery patterns expertly
repurposed into 15 exciting modern stitching projects. The patterns
and projects are brought to life with glimpses into the world of
Regency women and their domestic lives by lively historical
features, quotes from Jane Austen's letters and novels, enchanting
illustrations and inspirational project photography. The book opens
with an illustrated introduction on historical embroidery. Next
comes the materials and methods section, clearly explaining the key
stitches, as well as providing information on threads, fabrics and
frames. The practical section includes 15 projects for modern
items. The projects are divided into three chapters according to
the item the 18th century pattern was originally intended for with
patterns for different skill levels: Embroidered Clothes: Dressed
to Impress: Projects include Simple Sprig Pattern (Two Ways),
Pencil Case, Clutch Purse, Apron, Housewife. Embroidered
Accessories: How Do You Like My Trimming?: Projects include Napkin
Set, Mobile Phone Pouch, Tablet Sleeve, Jewellery Pouch, Muslin
Shawl. Embroidery for the Home: A 'Nest of Comforts': Projects
include Tea Box Top, Work Bag, Cushion, Sewing Set, Tablecloth. It
is more than likely that Jane herself would have used these very
patterns for her own embroidery, and now, with Jennie and Alison's
help, readers can stitch-a-long with Jane to make a selection of
beautifully embroidered, practical items.
 |
Greek Myths
(Hardcover)
Gustav Schwab; Edited by Michael Siebler
|
R1,041
R877
Discovery Miles 8 770
Save R164 (16%)
|
Ships in 9 - 17 working days
|
|
|
The Greek myths are timeless classics, whose scenes and figures
have captivated us since ancient times. The gods and heroes of
these legends hold up a mirror to the human condition, embodying
universal characteristics and truths - whether it be the courage of
Perseus, the greed of Midas, the vaulting ambition of Icarus, the
vengeance of Medea, or the hubris of Niobe. These traits are the
basis for immortal dramas and rich narratives, as profound as they
are entertaining, which form the bedrock of our culture and
literature today and remain relevant and fascinating for all
readers, young and old alike. This edition contains 47 tales based
on the most famous episodes in Greek mythology, from Prometheus,
the Argonauts, and Theseus to the Trojan War and Homer's Odyssey.
The individual texts are selected from the seminal work Sagen des
klassischen Altertums (Gods and Heroes: Myths and Epics of Ancient
Greece) by Gustav Schwab (1792-1850), and strikingly illustrated by
29 artists, among them outstanding representatives of the Golden
Age of Book Illustration and the Arts and Crafts Movement,
including Walter Crane (1845-1915), Arthur Rackham (1867-1939),
William Russell Flint (1880-1969), and Virginia Frances Sterrett
(1900-1930). These illustrations are complemented by scene-setting
vignettes for each story and a genealogical tree of Greek gods and
goddesses by Clifford Harper, commissioned especially for this
volume. Placing the tales in context, the book contains a
historical introduction by Dr. Michael Siebler and is rounded off
with biographies of all featured artists as well as an extensive
glossary of ancient Greece's most famous protagonists. The heroism,
tragedy, and theater of Greek mythology glimmer through each tale
in this lavishly illustrated edition, awakening the gods and heroes
to new life.
This book is about taking an image- a drawing, painting, digital
photograph, computer design or photocopy- and, using simple
methods, turning it into a piece of textile art. The author takes
you through a variety of techniques for creating the image, such as
scanning mixed-media artwork and digital photographs, or using
imaging software to create exciting patterns and effects. No
technical knowledge is required to use this book, as it offers
easy-to-follow instructions, and the materials, technology and
equipment are all readily available. But at the centre of the book
lies the use of stitch. Having produced the image and transferred
it to fabric, the next step is to enhance it with hand or machine
embroidery. Innovative methods, both in the image transfer and the
stitch, are simplified and broken down into the easy stages.
Throughout the book, inspirational ideas are offered to get your
creativity going. From books to bangles, panels, bags and vessels,
the book offers all textile artists ideas to expand their creative
work.
The exciting follow-up to the bestselling Harry Potter Knitting Magic,
this volume offers 28 new and official patterns for knits ranging from
spellbinding stuffed toys to cosy Hogwarts house apparel to all-new
costume replicas – including bewitching projects inspired by the
Fantastic Beasts films!
Discover even more knitting magic with a brand-new collection of
patterns inspired by the characters, creatures and artefacts of the
wizarding world. Harry Potter Knitting Magic: More Patterns from
Hogwarts and Beyond includes patterns for toys, apparel, and costume
replicas pulled straight from the Harry Potter and Fantastic Beasts
films, all pictured in gorgeous colour photography.
Projects: Knit yourself a mini sock garland that spells ‘Dobby Is
Free’. Support your favourite team with a Hogwarts Quidditch Pullover.
Channel the elegance of Professor McGonagall with the stunning Vero
Verto Cape. Travel beyond Hogwarts to 1920s New York with projects
inspired by the Fantastic Beasts films, including a gorgeous colourwork
scarf inspired by Newt’s case, a mischievous stuffed Niffler and a
sparkling Gigglewater Shawl.
Copyright © 2021 Warner Bros. Entertainment Inc. WIZARDING WORLD
characters, names and related indicia are © & ™ Warner Bros.
Entertainment Inc. – WB SHIELD: © & ™ WBEI. Publishing Rights ©
JKR. (s21)
Extensively illustrated, this is the first accessible publication
on the history of tapestry in over two decades. Woven with dazzling
images from history, mythology and the natural world, and
breath-taking in their craftsmanship, tapestries were among the
most valuable and high-status works of art available in Europe from
the medieval period to the end of the eighteenth century. Over 600
historic examples hang in National Trust properties in England and
Wales - the largest collection in the UK. This beautifully
illustrated study by tapestry expert Helen Wyld, in association
with the National Trust, offers new insights into these works, from
the complex themes embedded in their imagery, to long-forgotten
practices of sacred significance and ritual use. The range of
historical, mythological and pastoral themes that recur across the
centuries is explored, while the importance of the 'revival' of
tapestry from the late nineteenth century is considered in detail
for the first time. Although focussed on the National Trust's
collection, this book offers a fresh perspective on the history of
tapestry across Europe. Both the tapestry specialist and the keen
art-history enthusiast can find a wealth of information here about
woven wall hangings and furnishings, including methods of
production, purchase and distribution, evolving techniques and
technologies, the changing trends of subject matter across time,
and how tapestries have been collected, used and displayed in
British country houses across the centuries.
The most ambitious project of Henry Avray Tipping, the influential
architectural editor of Country Life, Mounton was a new country
house and garden, designed without limitations of expense to be the
perfect expression of his immense knowledge of history,
architecture and horticulture. All was designed to impress a
distinguished social circle. However, within weeks of its
completion, the Great War started. The world of English
country-house living changed irrevocably, so Tipping never saw his
hopes for the house come to fruition. Featuring a wealth of
previously unseen material including correspondence, articles and
illustrations, this book insightfully details the design and
building of the home H. Avray Tipping created for himself with the
help of the young Chepstow architect Eric Carwardine Francis. It
also gives a rich and evocative portrait of Tipping and his
friends, with visits from Lloyd George and from Tipping's gardening
colleagues, including Harold Peto, Gertrude Jekyll and William
Robinson. The grand layout of the Mounton gardens on the plateau
above a limestone gorge included a 24-pillar pergola, terraces
overlooking the Severn estuary, a two-storey tea house, a rock
garden and remarkable and innovative water gardens. Over time, the
house was neglected and the magnificent gardens became overgrown.
Mounton could so easily have been demolished and yet, a hundred
years after Tipping completed it, a loving work of restoration of
house and gardens was launched. The final two chapters reveal the
careful adaptation of the interiors of Mounton House and the
spectacular remaking of the gardens by the renowned garden designer
Arne Maynard, all fully illustrated with plans and striking new
photography. This is the story of the creation, destruction and
regeneration of a singular vision.
Stitch will offer contemporary designs and creative projects for
the modern maker with a discernible eye for aesthetics, with a
focus on customisable makes, stunning fabric inspiration,
easy-to-follow instructions and beautifully graphic photography.
The book will cover the basic techniques of sewing with all
projects achievable either by using a sewing machine or by hand
(and a little more time!), and with no overly complicated
techniques. Each project will be photographed and some will be
accompanied by step-by-step images to help guide you through more
intricate instructions. With makes including reusable fabric bowl
covers, pretty pot holders and scrunchies made from off cuts, as
well as projects to up-cycle old bed linen or use up scraps of
fabric left from other designs in the book, anyone from beginner to
intermediate will find projects to love in this modern makers
handbook. Explore modern sewing and learn to perfect your stitch.
'One of the very few necessary and inevitable utterances of the
century.' William Morris, in the Preface. The Nature of Gothic
started life as a chapter in Ruskin's masterwork, The Stones of
Venice. Ruskin came to lament the 'Frankenstein monsters' of
Victorian buildings with added Gothic which 'The Stones' inspired;
but despite his misgivings the original moral purpose of his
writing had not fallen on stony ground. The Nature of Gothic, the
last chapter of the second volume, had marked his progression from
art critic to social critic; in it he found the true seam of his
thought, and it was quickly recognised for the revolutionary
writing it was. As Morris himself put it, The Nature of Gothic
'pointed out a new road on which the world should travel'; and in
its indictment of meaningless modern labour and its celebration of
medieval architecture it could be called the foundation stone of
Morris's aesthetic and purpose in life. 40 years after he first
read it, Morris chose Ruskin's text for one of the first books to
be published at his Kelmscott Press, using his own Golden type. It
is one of the summits of his career, and one of the most beautiful
books ever published. Few books can so completely sum up an era.
The Kelmscott Nature of Gothic encapsulates the meeting of two
remarkable minds and embodies their influence in word, image and
design. But more than that, Ruskin's words are increasingly
relevant for our times. In this facsimile edition, the first ever
made of this rare book, the reader can fully appreciate their
importance and their legacy, as understood by one of the most
potent visual imaginations to have worked in Britain. In this
enlarged edition, essays by leading scholars, Robert Hewison (who
was one of Ruskin's successors as Slade Professor of Fine Art at
Oxford University), Tony Pinkney (Senior Lecturer at Lancaster
University) and Robert Brownell (lecturer, stained glass maker and
author of Marriage of Inconvenience) explain the importance of this
book for Ruskin, for Morris and for us today.
This exquisite book takes you to a jewelry Magical Kingdom of
theatrical beauty, showcasing dazzling Juliana crystal jewelry made
by William DeLizza and Harold Elster from 1947 to the 1990s. Over
375 color photographs display the largest collection of striking
Juliana jewelry ever brought together, revealing many rare, highly
sought after, and coveted pieces. Lavish designs have components of
great quality: amazing art glass, incredible intaglios and cameos,
mesmerizing margaritas, dramatic dangles, ravishing rivoli and
rhinestones, and distinctive Juliana figural brooches. Information
is provided on the makers, design elements, and construction
techniques, with details to assist in identification. Captions are
provided with a value guide. Useful information on techniques for
the repair and restoration of the jewelry, storage and care, and
specific terminology are included. This is an inspiring book for
seasoned collectors and novices who are beginning the fantastic
voyage into the world of Juliana jewelry.
Henry Holiday (1839-1927) was a polymath who counted figures such
as Lewis Carroll, William Morris, Edward Burne-Jones and Emmeline
Pankhurst as his friends. Most significantly, he was unquestionably
one of the greatest stained-glass artists of the
Victorian-Edwardian period, yet his considerable achievements have
not received the recognition that they deserve. Taking Holiday's
commissions for New York State churches as its focus, George
Bryant's ground-breaking study places the artist's transatlantic
accomplishments in the context of the social, artistic, religious
and economic shifts that shaped his success in the US during
America's Gilded Age - a period where existing social hierarchies
were challenged by new money and European immigration that ended
with the outbreak of the First World War. Also providing a clear
understanding of the technical and aesthetic differences that set
Holiday's stained glass apart from that of his contemporaries such
as Edward Burne-Jones, La Farge, and Tiffany, Bryant's truly
original publication, based on substantial archival research, makes
a significant contribution to our understanding of
nineteenth-century stained-glass design and Henry Holiday's
important achievements.
Peter Bellerby is the founder of Bellerby & Co. Globemakers,
the world’s only truly bespoke makers of globes. His team of
skilled craftspeople make exquisite terrestrial, celestial and
planetary globes for customers around the world. The story began
after his attempt to find a special globe for his father’s 80th
birthday. Failing to find anything suitable, he decided to make one
himself which took him on an extraordinary journey of rediscovering
this forgotten craft. The chapters of The Globemakers take us
through the journey of how to build a globe, or ‘earth apples’
as they were first known, and includes fascinating vignettes on
history, art history, astronomy and physics, as well as the
day-to-day craftsmanship at the workshop itself. This beautiful
book uses illustration, photography and narrative to tell the story
of our globe and many different globes it has inspired.
The first fully illustrated and comprehensive introduction to May
Morris's work as an artist, designer and embroiderer, published in
association with the V&A. May Morris (1862-1938), younger
daughter of William Morris, was a significant figure in the British
Arts and Crafts movement and a pioneer of 'art embroidery'. She ran
the embroidery department of Morris & Co., as well as designing
textiles, wallpapers and jewellery. May was also an influential
teacher and lectured in the UK and America. May Morris: Arts &
Crafts Designer is the first publication to present the full range
of May Morris's work and reveals her exceptional skill and
originality. It draws together her designs, exquisite embroideries,
watercolours, costume and jewellery from museums around the world,
and in particular the rich collections of the Victoria and Albert
Museum and the William Morris Gallery, London. The book contains
more than 180 items in colour and detailed information on their
materials and provenance compiled by leading experts. There are
also new insights into May's personal life and relationships, her
social activism and her support for other craftswomen. This
authoritative and illuminating study places May Morris, whose
reputation has been overshadowed by that of her father, firmly
among the leading British designer-makers of the Arts and Crafts
movement.
William Morris - poet, designer, campaigner, hero of the Arts &
Crafts movement - was a giant of the Victorian age, and his
beautiful creations and provocative philosophies are still with us
today: but his wife Jane is too often relegated to a footnote, an
artist's model given no history or personality of her own. In
truth, Jane and William's personal and creative partnership was the
central collaboration of both their lives. The homes they made
together - the Red House, Kelmscott Manor and their houses in
London - were works of art in themselves, and the great labour of
their lives was life itself: through their houses and the objects
they filled them with, they explored how we all might live a life
more focused on beauty and fulfilment. In How We Might Live,
Suzanne Fagence Cooper explores the lives and legacies of Jane and
William Morris, finally giving Jane's work the attention it
deserves and taking us inside two lives of unparalleled creative
artistry.
|
|