Since they began collaborating in 1993. John Wood and Paul Harrison
have accumulated a series of playful and beguiling video works
which are distinguished as much by their droll sense of humour as
their unerring economy of execution. Played out against a
minimalist, monochrome backdrop, or within the sealed-off space of
the monitor itself, each of the works involves the presence of one
of the artists, either as the butt of an extended sight-gag or as
the trigger for a spiralling, visually surprising conceit. This
publication, which features an essay by Charles Esche, documents
Wood and Harrison's work to date, including single-screen works and
installations.
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