The phenomenon of celebrity burst upon the world scene about a
century ago, as movies and modern media brought exceptional,
larger-than-life personalities before the masses. During the same
era, modernist authors were creating works that defined high
culture in our society and set aesthetics apart from the middle-
and low-brow culture in which celebrity supposedly resides. To
challenge this ingrained dichotomy between modernism and celebrity,
Jonathan Goldman offers a provocative new reading of early
twentieth-century culture and the formal experiments that
constitute modernist literature's unmistakable legacy. He argues
that the literary innovations of the modernists are indeed best
understood as a participant in the popular phenomenon of
celebrity.
Presenting a persuasive argument as well as a chronicle of
modernism's and celebrity's shared history, Modernism Is the
Literature of Celebrity begins by unraveling the uncanny syncretism
between Oscar Wilde's writings and his public life. Goldman
explains that Wilde, in shaping his instantly identifiable public
image, provided a model for both literary and celebrity cultures in
the decades that followed. In subsequent chapters, Goldman traces
this lineage through two luminaries of the modernist canon, James
Joyce and Gertrude Stein, before turning to the cinema of mega-star
Charlie Chaplin. He investigates how celebrity and modernism
intertwine in the work of two less obvious modernist subjects, Jean
Rhys and John Dos Passos. Turning previous criticism on its head,
Goldman demonstrates that the authorial self-fashioning particular
to modernism and generated by modernist technique helps create
celebrity as we now know it.
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