'Ought to become a classic. It is an enshrinement of [Meades's]
intense baroque and catholic cleverness' Roger Lewis, The Times
'One of the foremost prose stylists of his age in any register . .
. Probably we don't deserve Meades, a man who apparently has never
composed a dull paragraph' Steven Poole, Guardian 'There are more
gems in this wonderful book than I could cram into a dozen of these
columns' Simon Heffer, Daily Telegraph 'Such a useful and important
critic . . . He is very much on the reader's side, bringing his
full wit to bear on every single thing he writes' Nicholas Lezard,
Spectator This landmark publication collects three decades of
writing from one of the most original, provocative and consistently
entertaining voices of our time. Anyone who cares about language
and culture should have this book in their life. Thirty years ago,
Jonathan Meades published a volume of reportorial journalism,
essays, criticism, squibs and fictions called Peter Knows What Dick
Likes. The critic James Wood was moved to write: 'When journalism
is like this, journalism and literature become one.' Pedro and
Ricky Come Again is every bit as rich and catholic as its
predecessor. It is bigger, darker, funnier and just as impervious
to taste and manners. It bristles with wit and pin-sharp eloquence,
whether Meades is contemplating northernness in a German forest or
hymning the virtues of slang. From the indefensibility of
nationalism and the ubiquitous abuse of the word 'iconic', to John
Lennon's shopping lists and the wine they call Black Tower, the
work assembled here demonstrates Meades's unparalleled range and
erudition, with pieces on cities, artists, sex, England, France,
concrete, faith, politics, food, history and much, much more.
General
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