The figure of the American Adam is a prevalent myth in US cultural
history. Defined by R.W.B. Lewis in 1955 as "the hero of new
adventure . . .an individual standing alone, self-reliant and
self-propelling, ready to confront whatever awaited him with the
aid of his own unique andinherent resources," the figure is
discernable in the American renaissance writers and in the imagery
of the frontiersman, cowboy, gangster as well as in the heroes of
US action movies. Focusing on the American Adam as a paradigm of
masculine identity formation, this monograph examines how this
fantasy of an imaginary ideal identity has held an ideological sway
over US identity in the main. Taking in a range of cultural texts,
Jonathan Mitchell's study exploresthe complexities and
contradictions of Adam's 'real' condition of existence to show how
the paradigm influences both masculinity and subsequently hegemonic
US identity as represented throughout twentieth-century US culture.
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