In 1920, Joseph Roth, the most renowned German correspondent of his
age, arrived in Berlin, the capital of the Weimar Republic. He
produced a series of impressionistic and political writings that
influenced an entire generation of writers, including Thomas Mann
and the young Christopher Isherwood. Roth, like no other German
writer of his time, ventured beyond Berlin's official veneer to the
heart of the city, chronicling the lives of its forgotten
inhabitants - the Jewish immigrants, the criminals, the bathhouse
denizens, and the nameless dead who filled the morgues. Warning
early on of the threat posed by the Nazis, Roth evoked a landscape
of moral bankruptcy and debauched beauty, creating in the process
an unforgettable portrait of a city.
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