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Minority Stages - Sino-Indonesian Performance and Public Display (Hardcover)
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Minority Stages - Sino-Indonesian Performance and Public Display (Hardcover)
Series: Music and Performing Arts of Asia and the Pacific
Expected to ship within 12 - 19 working days
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Minority Stages: Sino-Indonesian Performance and Public Display
offers intriguing new perspectives on historical and contemporary
Sino-Indonesian performance. For the first time in a major study,
this community’s diverse performance practices are brought
together as a family of genres. Combining fieldwork with evidence
from Indonesian, Chinese, and Dutch primary and secondary sources,
Josh Stenberg takes a close look at Chinese Indonesian
self-representation, covering genres from the Dutch colonial period
to the present day. From glove puppets of Chinese origin in East
Java and Hakka religious processions in West Kalimantan, to wartime
political theatre on Sumatra and contemporary Sino-Sundanese choirs
and dance groups in Bandung, this book takes readers on a tour of
hybrid and diverse expressions of identity, tracing the stories and
strategies of minority self-representation over time. Each
performance form is placed in its social and historical context,
highlighting how Sino-Indonesian groups and individuals have
represented themselves locally and nationally to the
archipelago’s majority population as well as to Indonesian state
power. In the last twenty years, the long political suppression of
manifestations of Chinese culture in Indonesia has lifted, and a
wealth of evidence now coming to light shows how Sino-Indonesians
have long been an integral part of Indonesian culture, including
the performing arts. Valorizing that contribution challenges
essentialist readings of ethnicity or minority, complicates the
profile of a group that is often considered solely in socioeconomic
terms, and enriches the understanding of Indonesian culture,
Southeast Asian Chinese identities, and transnational cultural
exchanges. Minority Stages helps counter the dangerous either/or
thinking that is a mainstay of ethnic essentialism in general and
of Chinese and Indonesian nationalisms in particular, by showing
the fluidity and adaptability of Sino-Indonesian identity as
expressed in performance and public display.
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