Maverick gay poetic icon Thom Gunn (1929-2004) and his body of
work have long dared the British and American poetry establishments
either to claim or disavow him. To critics in the UK and US alike,
Gunn demonstrated that formal poetry could successfully include new
speech rhythms and open forms and that experimental styles could
still maintain technical and intellectual rigor. Along the way,
Gunn's verse captured the social upheavals of the 1960s, the
existential possibilities of the late twentieth century, and the
tumult of post-Stonewall gay culture.
The first book-length study of this major poet, "At the Barriers
"surveys Gunn's career from his youth in 1930s Britain to his final
years in California, from his earliest publications to his later
unpublished notebooks, bringing together some of the most important
poet-critics from both sides of the Atlantic to assess his oeuvre.
This landmark volume traces how Gunn, in both his life and his
writings, pushed at boundaries of different kinds, be they
geographic, sexual, or poetic. "At the Barriers "will solidify
Gunn's rightful place in the pantheon of Anglo-American
letters.
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