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Styling Blackness in Chile - Music and Dance in the African Diaspora (Hardcover)
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Styling Blackness in Chile - Music and Dance in the African Diaspora (Hardcover)
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Chile had long forgotten about the existence of the country's Black
population when, in 2003, the music and dance called the tumbe
carnaval appeared on the streets of the city of Arica. Featuring
turbaned dancers accompanied by a lively rhythm played on hide-head
drums, the tumbe resonated with cosmopolitan images of what the
African Diaspora looks like, and so helped bring attention to a
community seeking legal recognition from the Chilean government
which denied its existence. Tumbe carnaval, however, was not the
only type of music and dance that Afro-Chileans have participated
in and identified with over the years. In Styling Blackness in
Chile, Juan Eduardo Wolf explores the multiple ways that Black
individuals in Arica have performed music and dance to frame their
Blackness in relationship to other groups of performers-a process
he calls styling. Combining ethnography and semiotic analysis, Wolf
illustrates how styling Blackness as Criollo, Moreno, and Indigena
through genres like the baile de tierra, morenos de paso, and
caporales simultaneously offered individuals alternative ways of
identifying and contributed to the invisibility of Afro-descendants
in Chilean society. While the styling of the tumbe as
Afro-descendant helped make Chile's Black community visible once
again, Wolf also notes that its success raises issues of
representation as more people begin to perform the genre in ways
that resonate less with local cultural memory and Afro-Chilean
activists' goals. At a moment when Chile's government continues to
discuss whether to recognize the Afro-Chilean population and
Chilean society struggles to come to terms with an increase in
Latin American Afro-descendant immigrants, Wolf's book raises
awareness of Blackness in Chile and the variety of Black
music-dance throughout the African Diaspora, while also providing
tools that ethnomusicologists and other scholars of expressive
culture can use to study the role of music-dance in other cultural
contexts.
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