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Red Creative - Culture and Modernity in China (Hardcover, New edition)
Loot Price: R2,392
Discovery Miles 23 920
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Red Creative - Culture and Modernity in China (Hardcover, New edition)
Expected to ship within 12 - 17 working days
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This book brings together multiple strands of debate around the
cultural creative industries and contemporary capitalism, China's
position in global capitalism, the future of modernity and new ways
of thinking about culture and cultural policy. Clearly written and
engaging, it is the first study to provide a critical lens on
creative industries discourse and to bring it together with
detailed historical and social analysis. It analyses the ongoing
development of China's cultural industries, examining the
institutions, regulations, interests and markets that underpin the
Chinese cultural economy and the strategic position of Shanghai
within that economy. Explores cultural policy reforms in
post-colonial China and articulates Shanghai's significance in
paving China's path to modernity and entry to global capitalism.
In-depth and illuminating, this book situates China's contemporary
cultural economy in its larger global and historical context,
revealing the limits of Western thought in understanding Chinese
history, culture and society. This book is aimed at a broad,
educated audience who seek to engage more with what is happening in
China, especially in the cultural field. It tries to take such an
audience outside the standard frame of Western modernity,
suggesting the possibility of different historical trajectories and
possibilities. Because the book is theoretical and empirical in its
approach, it will be of strong interest to both those interested in
Chinese cultural policy and the creative industries approach
generally. Cultural and creative industries is an increasingly
important subject area in Higher Education, with undergraduate and
postgraduate programs representing some of the fastest growing
areas in arts, humanities and social science faculties. This
audience is increasingly global, as this policy debate has now
moved outside the Western countries whose economic competitiveness
it was meant to promote. It is an agenda promoted by agencies such
as UNESCO, UNCTAD, the World Bank, British Council and the Goethe
Institute. Primary readership will be academics with a particular
interest in Chinese culture, cultural studies, media studies,
public policy and management studies, cultural policy, East Asian
studies and cultural policy researchers. It will also be relevant
to all those interested in China and Chinese's culture; and those
interested in the history of Shanghai and the role it plays in
contemporary Chinese culture and politics. Given the current
interest in China, it may also be of wider appeal too.
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