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Drama and "Ideenschmuggel" - Inserted Performance as Communicative Strategy in Karl Gutzkow's Plays 1839-1849 (Paperback, New edition)
Loot Price: R1,373
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Drama and "Ideenschmuggel" - Inserted Performance as Communicative Strategy in Karl Gutzkow's Plays 1839-1849 (Paperback, New edition)
Series: North American Studies in Nineteenth-century German Literature and Culture, 43
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This monograph details Gutzkow's recurring use of
performance-within-the-play as a means of encouraging an active,
political response by the audience. He incorporates an internal
audience viewing a performance on stage in order to model an ideal
of dramatic reception for the audiences of his own play. Gutzkow
structures the narrative contextualization of these performances as
reflections of specific issues in the German states of the Vormarz.
Beginning with an overview of theoretical and literary texts from
the 1830s, this study traces Gutzkow's transferral of
self-reflexive structures from his novels of this decade into his
first staged play, Richard Savage (1839), and on through Das Urbild
des Tartuffe (1844) and Uriel Acosta (1845). It concludes by
portraying Der Konigsleutnant (1849) as a transitional work that
shows Gutzkow's decision to return to the novel as a consequence of
the failure of his plays to attain the reception he intended. By
using the coherency of the communicated message instead of fealty
to aesthetic norms as the evaluative criteria for discussing
Gutzkow's plays, the book exposes an innovative mode of
specifically literary social criticism in these works that
complements their traditional assessment as documentation of the
cultural history of Liberalism in this period.
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