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Lives of the Dead Poets - Keats, Shelley, Coleridge (Paperback)
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Lives of the Dead Poets - Keats, Shelley, Coleridge (Paperback)
Series: Lit Z
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Any reader engaging the work of Keats, Shelley, or Coleridge must
confront the role biography has played in the canonization of each.
Each archive is saturated with stories of the life prematurely cut
off or, in Coleridge's case, of promise wasted in indolence. One
confronts reminiscences of contemporaries who describe subjects
singularly unsuited to this world, as well as still stranger
materials-death masks, bits of bone, locks of hair, a
heart-initially preserved by circles and then circulating more
widely, often in tandem with bits of the literary corpus.
Especially when it centers on the early deaths of Keats and
Shelley, biographical interest tends to be dismissed as a largely
Victorian and sentimental phenomenon that we should by now have put
behind us. And yet a line of verse by these poets can still trigger
associations with biographical detail in ways that spark pathos or
produce intimations of prolepsis or fatality, even for readers
suspicious of such effects. Biographical fascination-the untoward
and involuntary clinging of attention to the biographical
subject-is thus "posthumous" in Keats's evocative sense of the
term, its life equivocally sustained beyond its period. Lives of
the Dead Poets takes seriously the biographical fascination that
has dogged the prematurely arrested figures of three romantic
poets. Arising in tandem with a sense of the threatened end of
poetry's allotted period, biographical fascination personalizes the
precariousness of poetry, binding poetry, the poet-function, and
readers to an irrecuperable singularity. Reading romantic poets
together with the modernity of Benjamin and Baudelaire, Swann shows
how poets' afterlives offer an opening for poetry's survival, from
its first nineteenth-century death sentences into our present.
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