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Visions of Empire in Colonial Spanish American Ekphrastic Writing (Hardcover)
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Visions of Empire in Colonial Spanish American Ekphrastic Writing (Hardcover)
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The process of shaping and asserting cultural identity in viceregal
Spanish America occurred as much through the medium of pictures as
through the medium of writing. Focused on writing that references
visual texts (ekphrasis), Visions of Empire in Colonial Spanish
American Ekphrastic Writing examines the way words about pictures
in the writing of three Spanish American Creoles-Hernando Dominguez
Camargo, Juan de Espinosa Medrano, and Sor Juana Ines de la
Cruz-negotiate the challenges that confronted the American-born
ruling elite in Spanish America during the contentious transitional
period between the Conquest and Independence. In Spanish America,
pictures have long served as a crucial medium for cultural
communication. In vast rural and urban regions where print culture
is not deeply rooted and being "cultured" is not synonymous with
being "literate," visual texts ranging from pre-Hispanic
pictographic codices to Baroque architectural surfaces to
postmodern painted murals have played an essential role in shaping
and asserting cultural identity. During the viceregal era, texts
that referenced such visual texts proliferated in Latin America,
particularly among Creole elites, who found themselves trapped in
an ambiguous political and social position between Spain and
America. At the level of content, Creole ekphrases bear little
obvious connection to categories of social privilege. On the level
of form, however, these ekphrases engage conventions of
representation that reveal the social contingencies of the poetic
gaze. They refract the visual object through an
ideologically-charged language that invokes differentials of race,
class, gender, sexuality, nationality, and position within the
colonial power structure. Visions of Empire brings recent
scholarship on visuality and ekphrasis to bear on
twenty-first-century reexaminations of criollismo to explore how
cultural productions of the Spanish American Creole elite exercised
relations of power, mediated social differences, and presented
symbolic organizations of social space. Focusing on the way Creole
adaptations of Gongoran ekphrases placed the Creoles in a position
of epistemological, economic, or moral authority over peninsular
Spaniards and Amerindian and casta majorities around them, this
book illustrates how Creole words about pictures propose alternate
visions of empire, symbolically reordering Spain's empire in the
Americas around the figure of the Creole.
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