This title was first published in 2002. Through analyses of a
number of Honegger's compositions, including extended analyses of
two of Honegger's orchestral works, "Mouvement symphonique No. 2
(Rugby)" and "Symphonie pour cordes", Keith Waters examines the
principles of musical organization in Honegger's music and shows
how these principles are based on systematic rhythmic and
contrapuntal strategies. Musical form in Honegger's work, the book
argues, is articulated by contrapuntal and rhythmic structures
rather than by tonal structure, and it is this that provides the
source of compositional unity in Honegger's music.
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