This book presents serious academic scholarship on ""Buffy the
Vampire Slayer"". It differs from other works because it uses
""Buffy"" as a primary text and not as a secondary instrument to
explore other concepts. In doing so, it demonstrates that popular
culture studies should be approached with the same serious
attention paid to classic philosophy and other long-established
fields. Essays assemble the ""Buffy"" canon and explore how
""Buffy"" treats Shakespeare, comics, power, sisterhood,
apocalyptic revisionism, folklore, feminism(s), redemption,
patriarchy, identity and education.
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