This book is a literary analysis of J.M. Barrie's Peter Pan in
all its different versions -- key rewritings, dramatisations,
prequels, and sequels -- and includes a synthesis of the main
critical interpretations of the text over its history. A
comprehensive and intelligent study of the Peter Pan phenomenon,
this study discusses the book's complicated textual history,
exploring its origins in the Harlequinade theatrical tradition and
British pantomime in the nineteenth century. Stirling investigates
potential textual and extra-textual sources for Peter Pan, the
critical tendency to seek sources in Barrie's own biography, and
the proliferation of prequels and sequels aiming to explain,
contextualize, or close off, Barrie's exploration of the
imagination. The sources considered include Dave Barry and Ridley
Pearson's Starcatchers trilogy, R?gis Loisel's six-part Peter Pan
graphic novel in French (1990-2004), Andrew Birkin's The Lost Boys
series, the films Hook (1991), Peter Pan (2003) and Finding
Neverland (2004), and Geraldine McCaughrean's "official sequel"
Peter Pan in Scarlet (2006), among others.
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