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Alain Locke and the Visual Arts (Hardcover)
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Alain Locke and the Visual Arts (Hardcover)
Series: Richard D. Cohen Lectures on African & African American Art
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A fresh perspective on the influential critic, offering new ways of
understanding the art of the Harlem Renaissance Alain Locke
(1885-1954), leading theorist of the Harlem Renaissance, maintained
a lifelong commitment to the visual arts. Offering an in-depth
study of Locke's writings and art world interventions, Kobena
Mercer focuses on the importance of cross-cultural entanglement.
This distinctive approach reveals Locke's vision of modern art as a
dynamic space where images and ideas generate new forms under the
fluid conditions of diaspora. Positioning the philosopher as an
advocate for an Afromodern aesthetic that drew from both formal
experiments in Europe and the iconic legacy of the African past,
Mercer shows how Aaron Douglas, Lois Mailou Jones, and other New
Negro artists acknowledged the diaspora's rupture with the
ancestral past as a prelude to the rebirth of identity. In his 1940
picture book, The Negro in Art, Locke also explored the different
ways black and white artists approached the black image. Mercer's
reading highlights the global mobility of black images as they
travel across national and ethnic frontiers. Finally, Mercer
examines how Locke's investment in art was shaped by gay male
aestheticism. Black male nudes, including works by Richmond Barthe
and Carl Van Vechten, thus reveal the significance of queer
practices in modernism's cross-cultural genesis. Published in
association with the Hutchins Center for African & African
American Research, Harvard University
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