Scholarly studies of Chinese culture, history and society, both
within and outside of China, generally pay little attention to
leisure, entertainment and amusement, though it has long been known
that this aspect of life gives a deep understanding of the psyche
and soul, and the hopes and fears, of a person. Leisure is a less
coerced-upon, mandatory human conduct than work; certainly
leisurely conduct is more voluntary, expressive and creative. But
when seen as human behaviour, leisure and entertainment cannot be
separated from history, heritage, ethnicity, the community, family
and kin, rituals and customs thus a collective activity and its
constraints on the person.
This book examines a variety of genre of Chinese entertainment,
from singing clubs, Cantonese opera and film, to Chinese rock and
tourism. Though formally voluntary, Chinese entertainment, when
entangled with ethnicity, heritage and history, is ironically a
site of both enjoyment and struggle, both pleasure and
suffering.
This book was originally published as a special issue of Visual
Anthropology.
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