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Valle-Inclan: The Captain's Daughter and the Dead Man's Finery (Paperback)
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Valle-Inclan: The Captain's Daughter and the Dead Man's Finery (Paperback)
Series: Aris & Phillips Hispanic Classics
Expected to ship within 12 - 19 working days
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Ramon del Valle-Inclan is one of Spain s greatest dramatists. His
particular legacy is the esperpento, a satirical mode combining
tragedy and farce and characterised by its use of the grotesque.
The Dead Man s Finery (1926) and The Captain s Daughter (1927) are
two short esperpentos that satirise the military, which for
Valle-Inclan encapsulated the worst and most retrogressive
qualities of the Spanish nation. In The Dead Man s Finery, Johnny
Bluster is a decommissioned veteran of the Spanish American War who
steals a dead man s clothes in order to woo a prostitute. A parody
of the Don Juan legend, the play takes the problematic, protean and
devilish Don Juan and sets his outrageous behaviour in a very
particular social and historical context. The Captain s Daughter is
the most historically and politically oriented of Valle-Inclain s
works for the theatre. A man is killed and the accident of his
death sets off a chain of events in which exploitation and
self-interest are the orchestrating forces, concluding in a
military coup that topples the government. An overt satire of the
rise to power of General Primo de Rivera in 1923, the play
dispenses with the individual protagonist and portrays a society in
crisis. Notorious for his recondite use of language, Valle-Inclain
emphasises the popular idiom without ever falling into picturesque
realism. Rather than recreate accurate modes of speech he creates a
mode of expression that highlights incongruity and contrast,
emphasising the puppet-like quality of his characters. Translated
here for the first time into English, the plays are accompanied by
a critical introduction and notes to guide the reader or director
of these plays. Notorious for his recondite use of language, in
these plays Valle-Inclan emphasises the popular idiom without ever
falling into picturesque realism; rather than recreate accurate
modes of speech he creates a mode of expression that brings
together all the play's characters, regardless of their status or
place in society. The emphasis on incongruity and contrast creates
a peculiarly sarcastic tone that permeates the dialogue. The plays
are accompanied by a critical introduction and notes to guide the
reader or director of these plays, both fine examples of
Valle-Inclan's expressionistic and experimental theatre."
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