This book examines the intricate and unusual relationship
between the sacred and secular spheres of English medieval culture,
positing that the assimilation of sacred and secular motifs could
be in either direction, or even in both directions. That is,
medieval English writers could appropriate biblical paradigms to
express secular themes, and vice versa. Codicological,
psychoanalytic, feminist, and new historicist insights inform
readings of Beowulf, Middle English lyric poetry, the Gawain-poet,
Chaucer, and Malory, among others. Besserman elucidates the
structural and thematic complexity of the integration of biblical
and biblically derived sacred diction, imagery, character types,
and themes in the works under consideration, identifying within
them new biblical sources and analogues and providing fresh
insights into the contextual meaning and significance of the
biblical paradigms they deploy. This book highlights the shaping
influence of biblical and biblically derived sacred paradigms on
exemplary literature produced in the middle Ages.
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