The Ugliness of Moses Mendelssohn examines the idea of ugliness
through four angles: philosophical aesthetics, early anthropology,
physiognomy and portraiture in the eighteenth-century.
Highlighting a theory that describes the benefit of encountering
ugly objects in art and nature, eighteenth-century German Jewish
philosopher Moses Mendelssohn recasts ugliness as a positive force
for moral education and social progress. According to his theory,
ugly objects cause us to think more and thus exercise and expand
our mental abilities. Known as ugly himself, he was nevertheless
portrayed in portraits and in physiognomy as an image of wisdom,
gentility, and tolerance. That seeming contradiction an ugly object
(Mendelssohn) made beautiful illustrates his theory s possibility:
ugliness itself is a positive, even redeeming characteristic of
great opportunity.
Presenting a novel approach to eighteenth century aesthetics,
this book will be of interest to students and scholars in the
fields of Jewish Studies, Philosophy and History."
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