In the midst of China's wild rush to modernize, a surprising
note of reality arises: Shanghai, it seems, was once modern indeed,
a pulsing center of commerce and art in the heart of the twentieth
century. This book immerses us in the golden age of Shanghai urban
culture, a modernity at once intrinsically Chinese and profoundly
anomalous, blending new and indigenous ideas with those flooding
into this "treaty port" from the Western world.
A preeminent specialist in Chinese studies, Leo Ou-fan Lee
gives us a rare wide-angle view of Shanghai culture in the making.
He shows us the architecture and urban spaces in which the new
commercial culture flourished, then guides us through the
publishing and filmmaking industries that nurtured a whole
generation of artists and established a bold new style in urban
life known as "modeng." In the work of six writers of the time,
particularly Shi Zhecun, Mu Shiying, and Eileen Chang, Lee
discloses the reflection of Shanghai's urban landscape--foreign and
familiar, oppressive and seductive, traditional and innovative.
This work acquires a broader historical and cosmopolitan context
with a look at the cultural links between Shanghai and Hong Kong, a
virtual genealogy of Chinese modernity from the 1930s to the
present day.
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