- Seeks to bridge the divide between scholarly work on critical
aesthetics vs. audience expectations in relation to film and
television studies. - Draws on a comprehensive and original
data-set from a national survey that examined audience perceptions
of film genres and television formats, associated viewing patterns,
and the current usage of streaming and other newer moving image
adjuncts. - Reflects on how the pandemic has impacted viewing
patterns and genre and format expectations moving forward.
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